A Mad Hatter’s Tea Party in St. Helen’s

You may or may not remember a long while back I was ever so proud of myself for tidying up the Rough Magic Theatre storage room – and how, in October 2021, we had our first Alice in Wonderland gig for a very long time. How I repaired and spruced up our Cheshire Cat and White Rabbit’s House scenery and even got myself a wig, as my hair was no longer the correct length.

Then after visiting Tim’s family in Norfolk for Christmas, we got back and on December 28th we heard a peculiar noise and found the mess you see in the pictures.

As you can see a large chunk of the plasterboard ceiling had fallen down because of a leak in the bathroom above. The sodden plasterboard had given up and fallen down with a load of dirty water. This was massively upsetting as we had planned to try and get a few more gigs with the Alice show. This was a major setback.

So, having planned to push the show and get a few more gigs, we instead decided that this was a sign to retire the big Alice show but present the Mad Hatter’s Tea Party as a walkabout show only on the new website, and that we would spruce it up and renew the fabric on the tea table when we got a booking.

When I originally created the fabric for the tea table I used spray glue to attach the cut-out pink ripstop layer to the black ripstop layer beneath. This meant that the black layer where the glue was exposed had been getting a bit dirty and shabby-looking, even before the leak accident, so this was a good excuse to take the tea table apart and attempt to do a better job with some new fabric.

We were asked to bring the Mad Hatter and Alice to St. Helen’s library for a “HAF”(Holiday Activities and Food) event in the Easter holidays and proceeded to source the material we needed for a new tablecloth.

I wasn’t able to find fabric in the same fluorescent pink as the original but I did manage to find two similar shades of bright pink and source a copious amount of bondaweb to join the cut pink layer to the black layer neatly, without any messy glue. An expensive but neat solution.

The gig went very well and we are are already planning the “Mad Hatter’s” next outing to a Food and Drink Festival (more details to come soon). Sadly the selfie below is the only picture we got time to take on the performance day and doesn’t show off the fabric at all. I’ll take some more pics the next time we get it out.

In the meantime check out the Mad Hatter’s Tea Party show page by clicking HERE. We have lots of space left in our diary for this year and next year so please do GET IN TOUCH 😊.

Shadow Shows and Workshops in Schools!

Earlier this year I visited Bramham and Shadwell primary schools in Leeds.

I was invited to inspire the kids who had been making their own puppets in class.

They were treated to a triple bill of short shadow puppet shows (“Jabberwocky!“, “Edward Lear’s Nonsense” and “The Interrupted Wedding“) followed by Q & A about the shows and the puppets and my life as a puppeteer.

Alice Bunraku style puppet

I also brought a variety of different puppet types for them to see and explain how they worked and what countries in the world they came from. As the children had been making glove puppets I mainly showed them some different kinds of glove puppets and we talked about the different hand positions you can use when operating glove/hand puppets and I also brought my Alice Bunraku style puppet to show them as it is probably the most interesting puppet I own. The kids always love seeing how the head goes on and off and has a wig made from my own hair.

The children were all very engaged and had lots of interesting questions. They seemed very inspired by the puppets and loved the music in the “Jabberwocky!” show.

All the teachers were very helpful and welcoming at both schools, so a big THANK-YOU to them.

Later in the year I visited Bishop Rawstorne C of E High School in Croston for their special Chinese cultural day. The Year 7s and 8s were celebrating many different aspects of Chinese culture and there were lots of different people running many different workshops including lion dancing, calligraphy, cookery etc. and I was employed to perform one of my shadow puppet shows and run a Chinese style shadow puppetry workshop.

As time was limited I opted to make simplified versions of traditional Chinese puppets by concentrating just on silhouette style puppets rather then translucent ones with colour.

I made a series of templates for the children to use based on the 12 animals in the Chinese Zodiac story and as there was very little/no time to actually rehearse with the puppets and the school were very keen to have the children perform a show I thought this story would be a good choice as they could parade their puppets from one side of the screen to the other to show the animals crossing the river and everyone who wanted to would get a chance to perform.

Below is the process of me making the prototype for the tiger puppet based on one from the V&A museum collection. The Victoria and Albert Museum have a very large puppet collection and the costume section is definitely worth a visit too, (CLICK HERE for my previous blog post on a visit to the V&A)

I did a lot of research on Chinese puppetry and puppets in preparation and discovered how much more there is to traditional Chinese puppetry than I realised. There is not just one Chinese shadow puppetry tradition but several different ones from different parts of China each with its own artistic style and construction methods. I also found out that Chinese Shadow Puppetry is on the UNESCO list of Intangible Cultural Heritage of Humanity, (CLICK HERE to find out more).

I searched for pictures of traditional Chinese shadow puppets and recreated my own simplified versions and in the process discovered lots of interesting things about the way the puppets were jointed. I found a picture of a Chinese Lion puppet (I know it’s not a Zodiac animal, but I did extra lions and dragons so that there would be enough puppets for all the children) and when I recreated my own version was astounded at how well it moved and in particular the fact that you could get such a huge variety of movements using just one stick on the lion’s head and one on its tail. It made me realise that when you see a picture of a Chinese shadow puppet, you are only getting a small appreciation of what it is like compared to seeing it perform, because so much of what is brilliant about them comes from the jointing and the way they move.

The traditional puppets were made so that one puppeteer is able to operate several puppets at the same time, sometimes with more than one in each hand!

If you would like me to visit your school for a performance or a workshop CLICK HERE to get in touch. You can find out about the different types of workshops we offer on our website by clicking HERE.

We will be starting to design and sell templates for shadow puppets that you can print out for yourself at home. I was thinking of basing them around traditional fairy tales. If you have any suggestions of templates you would like to see, please reply to this post with your ideas 🙂